第57章 CHAPTER X(15)

"I have now only to add my thanks to the actors for the zeal and talent with which they have embodied the characters entrusted to them. The sweetness and grace with which Miss Faucit embellished the part of Violet, which, though only a sketch, is most necessary to the coloring and harmony of the play, were perhaps the more pleasing to the audience from the generosity, rare with actors, which induced her to take a part so far inferior to her powers.

The applause which attends the performance of Mrs. Warner and Mr.

Strickland attests their success in characters of unusual difficulty; while the singular beauty and nobleness, whether of conception or execution, with which the greatest of living actors has elevated the part of Norman (so totally different from his ordinary range of character), is a new proof of his versatility and accomplishment in all that belongs to his art. It would be scarcely gracious to conclude these remarks without expressing my acknowledgment of that generous and indulgent sense of justice which, forgetting all political differences in a literary arena, has enabled me to appeal to approving audiences--from hostile critics. And it is this which alone encourages me to hope that, sooner or later, I may add to the dramatic literature of my country something that may find, perhaps, almost as many friends in the next age as it has been the fate of the author to find enemies in this."

See, now, what a good comfrabble vanaty is! Pepple have quarld with the dramatic characters of your play. "No," says you; "if I AM remarkabble for anythink, it's for my study and delineation of character; THAT is presizely the pint to which my littery purshuits have led me." Have you read "Jil Blaw," my dear sir? Have you pirouzed that exlent tragady, the "Critic?" There's something so like this in Sir Fretful Plaguy, and the Archbishop of Granadiers, that I'm blest if I can't laff till my sides ake. Think of the critix fixing on the very pint for which you are famus!--the roags!

And spose they had said the plot was absudd, or the langwitch absudder still, don't you think you would have had a word in defens of them too--you who hope to find frends for your dramatic wux in the nex age? Poo! I tell thee, Barnet, that the nex age will be wiser and better than this; and do you think that it will imply itself a reading of your trajadies? This is misantrofy, Barnet-- reglar Byronism; and you ot to have a better apinian of human natur.

Your apinion about the actors I shan't here meddle with. They all acted exlently as far as my humbile judgement goes, and your write in giving them all possible prays. But let's consider the last sentence of the prefiz, my dear Barnet, and see what a pretty set of apiniuns you lay down.

1. The critix are your inymies in this age.

2. In the nex, however, you hope to find newmrous frends.

3. And it's a satisfackshn to think that, in spite of politticle diffrances, you have found frendly aujences here.

Now, my dear Barnet, for a man who begins so humbly with what my friend Father Prout calls an argamantum ad misericorjam, who ignowledges that his play is bad, that his pore dear helth is bad, and those cussid critix have played the juice with him--I say, for a man who beginns in such a humbill toan, it's rather RICH to see how you end.

My dear Barnet, DO you suppose that POLITTICLE DIFFRANCES prejudice pepple against YOU? What ARE your politix? Wig, I presume--so are mine, ontry noo. And what if they ARE Wig, or Raddiccle, or Cumsuvvative? Does any mortial man in England care a phig for your politix? Do you think yourself such a mity man in parlymint, that critix are to be angry with you, and aujences to be cumsidered magnanamous because they treat you fairly? There, now, was Sherridn, he who roat the "Rifles" and "School for Scandle" (I saw the "Rifles" after your play, and, O Barnet, if you KNEW what a relief it was!)--there, I say, was Sherridn--he WAS a politticle character, if you please--he COULD make a spitch or two--do you spose that Pitt, Purseyvall, Castlerag, old George the Third himself, wooden go to see the "Rivles"--ay, and clap hands too, and laff and ror, for all Sherry's Wiggery? Do you spose the critix wouldn't applaud too? For shame, Barnet! what ninnis, what hartless raskles, you must beleave them to be,--in the fust plase, to fancy that you are a politticle genus; in the secknd, to let your politix interfear with their notiums about littery merits!

"Put that nonsince out of your head," as Fox said to Bonypart.

Wasn't it that great genus, Dennis, that wrote in Swiff and Poop's time, who fansid that the French king wooden make pease unless Dennis was delivered up to him? Upon my wud, I doan't think he carrid his diddlusion much further than a serting honrabble barnet of my aquentance.

And then for the nex age. Respected sir, this is another diddlusion; a gross misteak on your part, or my name is not Y--sh.

These plays immortial? Ah, parrysampe, as the French say, this is too strong--the small-beer of the "Sea Capting," or of any suxessor of the "Sea Capting," to keep sweet for sentries and sentries!

Barnet, Barnet! do you know the natur of bear? Six weeks is not past, and here your last casque is sour--the public won't even now drink it; and I lay a wager that, betwigst this day (the thuttieth November) and the end of the year, the barl will be off the stox altogether, never, never to return.

I've notted down a few frazes here and there, which you will do well do igsamin:--NORMAN.

"The eternal Flora Woos to her odorous haunts the western wind;While circling round and upwards from the boughs, Golden with fruits that lure the joyous birds, Melody, like a happy soul released, Hangs in the air, and from invisible plumes Shakes sweetness down!"

NORMAN.

"And these the lips Where, till this hour, the sad and holy kiss Of parting linger'd, as the fragrance left By ANGELS when they touch the earth and vanish."

NORMAN.

"Hark! she has blessed her son! I bid ye witness, Ye listening heavens--thou circumambient air: